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Neverending Interview with Colin
Bateman
by Jon Jordan
Colin's Web
Site
Colin Bateman is a wonderful writer. He's also very funny and quick. And while
he doesn't have time to do a column of his own, he is willing to answer
questions we send him. So instead of a Colin Bateman column, we give you the
never ending interview conducted by myself and Jennifer Jordan. If you visit his
author page here on booksnbytes you can see just how many wonderful
books he's already written. You can also use the links to get your very own
copies. If you enjoy his answers, you'll love his books!
Jon
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August 7th, 2003----------
JON: Do you think Nicholas Cage should
be making a lot more movies, or should he be forced to retire?
COLIN: I think you're being cruel to a
young man who has obviously had more than his share of traumas - he lost his arm
early in life (didn't stop him getting that part in Moonstruck) and was still
called up to fight the Japanese in Windwalkers though he clearly couldn't hold a
gun. Sorry, did I say Windtalkers, I obviously meant Shitetalkers. And it can't
be easy being Francis Ford Coppola's nephew - how'd you like to have to live up
to that? And marrying Lisa Marie Presley, proof that true love does exist plus
you get to here all the insider gossip about Elvis....
JON: Can you think of any rules of the
road that don't exist but should?
COLIN: No, but be warned against ever
getting in a car with me. My dad taught me to drive, except he learned how to
drive in the army, and that was driving a tank in the Second World War; and he
drove in exactly the same manner after the war and taught me all the subtleties
you need to know when you're driving a tank. CRUSH! CRUSH! DESTROY! INDICATE!
JON: Are there any fashions that
should not come back in style?
COLIN: Flared trousers were never in
style, although that didn't stop a large proportion of the population wearing
them. I'm from the punk rock generation, so drainpipe trousers remain the norm.
That said, although I'm from the punk generation I'm also from a nice middle
class town so that I would have had spiky hair and a safety pin through my nose,
but mummy wouldn't let me.....
JENNIFER: If Diamonds are a girls best
friend, what are a boys best friend?
COLIN: Girls wearing diamonds, and
nothing else. Naturally.
JENNIFER: Jim Morrison - demi-god
genius? just another rock star? very stinky, acid-invoked ass?
COLIN: I think if you're a teenager
just discovering him, he's a bit of a God, some great songs, good lyrics and a
brilliant performer, but we should leave it like that. Now he's just part of
rock history, we shouldn't spend all our time analysing his poetry. I mean, he
was really only a kid who drank and drugged too much, and have you ever tried
listening to a profound drunk? Bores the arse off you. If you want to analyse
any poetry, analyse mine. There was a young lady from.....
JENNIFER: What is the most
embarrassing album in your collection that you still listen to?
COLIN: Is that not a contradiction in
terms? Well - maybe not. The first two singles I ever bought were Crazy Horses
by The Osmonds and I Just Can't Help Believing by Elvis Presley, which are both
wonderful. The first album I ever bought (I was about thirteen) because it was
number one and therefore MUST BE GOOD was Frampton Comes Alive. Listened to it
once and have never played it since - discovered punk rock a couple of months
later and NEVER LOOKED BACK
JENNIFER: What is one the record
player/in the CD player right now?
COLIN: Well this IS a bit embarrassing
because the CD in my player right now is `Divorcing Jack`. When they were making
the movie of Divorcing Jack they asked Joe Strummer to write a title track. he
recorded a rough demo of it and played it for the producers - and they turned it
down. But as I was the world's greatest Clash fan - and still am - I wrote a
begging letter to Joe asking for a copy of the tape. And he sent it, and a nice
letter - this was like Elvis or The Beatles writing me my own song. Of course
the first thing I did was try to copy it - and being a technical moron I came
within two seconds of taping over it. On the original tape there's now several
seconds of REM, but luckily I caught it before the song started. Fast forward
five years and Joe Strummer dies suddenly - I get the tape out and play it to
death and realise it's starting to deteriorate. So just last week I finally
found a friend who could transfer cassette tape to computer to CD (again, I'm a
technical moron) and low and behold I have a CD of Joe singing my song. It's
rough and scratchy and not in his key, but it's MINE. Previously I wouldn't let
anyone else hear it or borrow it because I didn't want it copied or stolen or to
appear on the internet or be sold for thousands, but I'm a bit more relaxed
about it now. Joe's dead and I want people to hear the song, and how good he
was.
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