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Book Review: The First Cut

Reviewed By: Harriet Klausner


[5 stars]

The First Cut     Amazon US HC Amazon Canada HC
Dianne Emley
Class/Genre:   Mystery   Woman Main Character   Police Procedural   Paranormal   Thriller
Ballantine, Sep 2006, $23.95

Four Pasadena cops have been killed in the line of duty; last year Detective Nan Vining came very close to having her name added to the list as an unknown assailant attacked her with a knife leaving her clinically dead for about two minutes. Physically the single mother of a teen has healed, mentally she fears interviewing strangers and entering unknown residences as any can trigger a panic attack especially since her adversary is still on the streets.

Though her boss has some doubts assigning her to the slasher murder of undercover Los Angeles vice cop Frankie Lynde because of the similarities to Nan’s near fatal incident, Vining insists on leading the investigation for that same reason. Vining knows from her visions and psychic link to the deceased cop that the killer, wealthy club owner John Lesley-and his wife Pussycat were having a ménage de trois with Lynde that leaves the investigating detective hot and bothersome with desire for her former lover Jim Kissick. However, proving to a jury that Lesley is the killer needs more than a mental discussion with a dead woman. One clue has been left behind by Lynde if Vining can retrieve it before she becomes Pasadena’s number five.

This urban noir police procedural with paranormal elements will grip readers who know early on that psychopath Lesley is the cop killer with a thirst for blood and wild sex. The action-packed story line turns into a cat and mouse game as Vining seeks proof while Lesley uses his spouse and others to insure the cop gets no closer to the truth even as he sets up his next victim. Though definitely dark, Dianne Emley's gripping thriller will take readers on the underside of society where money can hide illegal drug abuse and murder.

Harriet Klausner

Reprinted with permission. Do Not repost without permission from the author, Harriet Klausner


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