Books'n'Bytes

The Review

The Mothers

by Brit Bennett

288 pages
The Mothers

Nadia Turner, a seventeen-year-old Oceanside Black church-community girl in the months after her mother's suicide, has a secret pregnancy with the local pastor's son.

What's in this book

  • Brit Bennett's 2016 debut — a seventeen-year-old in a Black Oceanside church community has a secret pregnancy with the pastor's son
  • Canonical contemporary American literary debut of the 2010s; structural predecessor to The Vanishing Half
  • 288 pages of close-third-person Nadia narration across the decade after her mother's suicide
  • The Upper Room Chapel "mothers" serve as choric narration
  • Adenrele Ojo audiobook is the definitive audio production
  • For readers of The Vanishing Half, Homegoing, On Earth We're Briefly Gorgeous, and contemporary American literary fiction

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The Mothers is Brit Bennett's 2016 debut novel, the structural predecessor to The Vanishing Half (2020) and one of the canonical contemporary American literary debuts of the 2010s. The structural premise is Nadia Turner, a seventeen-year-old Oceanside (the fictional Black church-community town in Bennett's California where most of The Vanishing Half is also set), navigating the months immediately after her mother's suicide. Across the summer before college Nadia begins a relationship with the local pastor's son Luke Sheppard. A pregnancy results. Nadia chooses to terminate. The novel runs the next decade across Nadia's college years at the University of Michigan, her relationship with her best friend Aubrey Evans (who Luke eventually marries), and the slow accumulation of consequences from the choices the summer initially produced.

Bennett's structural method is the patient close-third-person Nadia narration across the entire decade, with the older church-community women ("the mothers" of the title — the Upper Room Chapel ladies whose communal voice serves as the structural choric narration of the novel) providing the structural moral framework and the operational social context the rest of the novel inhabits. The Aubrey subplot in the middle third (Aubrey's eventual marriage to Luke, the resulting structural tension with Nadia, and the slow revelation of what Aubrey has been carrying from her own childhood that Nadia has not known) is the structural emotional engine of the back half. The novel's structural argument (that the contemporary Black church-community small-town American novel requires the kind of patient communal-voice construction that the broader contemporary American literary fiction has not historically committed to at this scale) is made through the texture of "the mothers" themselves rather than through any direct argument.

Recommended as required contemporary American literary fiction reading, as the right Bennett entry point for readers coming to her work before The Vanishing Half, and as the canonical contemporary American debut novel on the Black church-community small-town American literary tradition. Read The Vanishing Half (2020) next. The Adenrele Ojo audiobook is the definitive audio production. Five stars without reservation.

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