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The Review

The Passenger

by Cormac McCarthy

400 pages
The Passenger

Bobby Western, a salvage diver in 1980 New Orleans, investigates a submerged Gulf-of-Mexico private-jet wreckage and finds nine of the ten passengers but no body in the tenth seat. His mathematician sister Alicia died ten years earlier.

What's in this book

  • Cormac McCarthy's 2022 tenth novel — a New Orleans salvage diver investigates a submerged Gulf-of-Mexico jet wreckage
  • First of McCarthy's two final novels (with Stella Maris)
  • 400 pages of patient cross-cutting between Bobby Western's 1980 present and his late sister Alicia's hallucinatory chapters
  • Conversational late-McCarthy register distinct from the biblical-prose Blood Meridian and clipped The Road
  • MacLeod Andrews / Edoardo Ballerini audiobook is the definitive audio production
  • For readers of Stella Maris, Suttree, Blood Meridian, and the broader McCarthy catalog

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The Passenger is Cormac McCarthy's 2022 tenth novel, the first of his two final novels (the companion Stella Maris was published one month later, and both novels are read as a structurally integrated late-career project). McCarthy died in June 2023. The structural premise is Bobby Western, a salvage diver in 1980 New Orleans, called out to investigate a submerged private-jet wreckage in the Gulf of Mexico. The wreckage shows nine of the ten passengers still strapped in their seats but the tenth seat is empty. Bobby and his diving partner Oiler investigate. Soon afterward, IRS agents come to Bobby's apartment with no warrant and no explanation. The novel runs across approximately the next year as Bobby moves through New Orleans, then Idaho, then Mexico, while parallel chapters return to the years of his sister Alicia Western — a paranoid-schizophrenic mathematics prodigy who killed herself ten years earlier and who Bobby loved with an unconsummated incestuous intensity that the novel patiently reveals across the entire arc.

McCarthy's structural method is the patient cross-cutting between Bobby's present-tense chapters and the embedded Alicia chapters (Alicia's chapters consist primarily of conversations with the hallucinatory Thalidomide Kid and the broader chorus of imaginary visitors who appear to her across her psychotic episodes). The novel reads in the patient late-McCarthy register that distinguishes the work from the biblical-prose Blood Meridian and the clipped-and-spare The Road; the prose is more conversational, more interior, and more concerned with twentieth-century physics-and-mathematics than any prior McCarthy work. The Long Bar in New Orleans chapters in the middle third (where Bobby meets his recurring conversational companion John Sheddan) are some of the strongest contemporary American literary dialogue of recent memory. The novel's structural argument (about the operational relationship between mid-twentieth-century American physics research, the broader Manhattan-Project legacy that produced Bobby and Alicia's father, and the contemporary American post-1970s consciousness collapse) is made through the texture of Bobby's wandering rather than through any direct argument.

Recommended as required contemporary American literary fiction reading, as the structural McCarthy late-career project, and for fans of Blood Meridian, Suttree, No Country for Old Men, and the broader McCarthy catalog. Read alongside Stella Maris (2022) as a structurally integrated diptych. The MacLeod Andrews / Edoardo Ballerini audiobook is the definitive audio production. Five stars without reservation.

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