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The Review

The Priory of the Orange Tree

by Samantha Shannon

848 pages
The Priory of the Orange Tree

A thousand years after the dragon Nameless One was defeated, four characters across the East, West, North, and South prepare for his return.

What's in this book

  • Samantha Shannon's 2019 standalone epic fantasy — four kingdoms prepare for an ancient dragon's return
  • Canonical contemporary literary epic-fantasy standalone
  • 848 pages of integrated four-POV worldbuilding across the East, West, North, and South continents
  • The Sabran-and-Ead central relationship defined the broader BookTok-era romantasy-and-fantasy expansion
  • Liyah Summers / Felix Trench audiobook is the definitive audio production
  • For readers of The Way of Kings, The Fifth Season, Babel, and canonical contemporary literary epic fantasy

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The Priory of the Orange Tree is Samantha Shannon's 2019 standalone epic fantasy, the structural project that pulled Shannon out of the YA-adjacent Bone Season series shelf and into the canonical contemporary literary epic-fantasy market. The structural premise is the second-coming threat of the Nameless One, an ancient draconic evil banished a thousand years earlier by the saintly figure Queen Glorian and a near-mythical wyrm-slaying army. The novel runs four POVs across the contemporary world: Queen Sabran the Ninth of Inys (the ruling monarch of a Western kingdom whose royal line claims direct descent from the founder), Ead Duryan (a Priory of the Orange Tree mage-spy embedded as Sabran's lady-in-waiting), Tane (an Easterner training as a dragon-rider in the Empire of the Twelve Lakes), and Niclays Roos (a Western alchemist exiled to the Eastern empire).

Shannon's structural method is the patient four-POV cross-cutting across approximately eight hundred fifty pages of integrated worldbuilding (the Western, Eastern, Northern, and Southern continents each have distinct theological-political-and-magical systems that the novel rotates through). The novel reads in the literary fantasy register Erin Morgenstern, R. F. Kuang, and N. K. Jemisin have been refining across the past decade. The Inys court politics chapters carry the structural moral weight of the front half; the Eastern dragon-rider material carries the back half. The Sabran-and-Ead central relationship is the structural emotional engine of the novel and the part that defined the broader BookTok-era romantasy-and-fantasy expansion that followed. The book's structural argument (that the Anglo-Saxon-monomyth conventions that have dominated post-Tolkien epic fantasy for fifty years can be replaced by a structurally cleaner integration of Eastern and Western theological traditions) is made through the texture of the four-POV construction rather than through direct argument.

Recommended as required contemporary literary epic fantasy reading, as the right Shannon entry point alongside A Day of Fallen Night (2023, the prequel), and as one of the canonical contemporary post-Tolkien epic fantasy standalones. Compare to The Way of Kings, The Fifth Season, Babel, and the broader contemporary literary fantasy market. The Liyah Summers / Felix Trench audiobook is the definitive audio production. Five stars without reservation.

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