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The Review

1Q84

by Haruki Murakami

1184 pages
1Q84

Aomame, an assassin who kills men who have committed domestic violence, and Tengo, a math teacher and aspiring novelist, navigate a parallel-1984 Tokyo where two moons hang in the sky.

What's in this book

  • Haruki Murakami's 2009-2010 magnum opus — an assassin and a novelist navigate a parallel-1984 Tokyo with two moons
  • Originally published in Japanese across three separate volumes; canonical Murakami magnum opus
  • 1184 pages cross-cutting Aomame and Tengo chapters with a late-novel third POV
  • Embeds the Air Chrysalis manuscript across the entire structural arc
  • Allison Hiroto / Marc Vietor / Mark Boyett audiobook is the definitive audio production
  • For readers of The Wind-Up Bird Chronicle, Kafka on the Shore, The Master and Margarita, and contemporary magical-realist literary fiction

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1Q84 is Haruki Murakami's 2009-2010 magnum opus, originally published in Japanese across three separate volumes from May 2009 through April 2010 and released in English as a single 1184-page volume in 2011. The structural premise is the alternation between Aomame, a thirty-year-old Tokyo fitness instructor and clandestine assassin who kills men who have committed domestic violence against women, and Tengo, a thirty-year-old Tokyo math teacher and aspiring novelist who has been hired by a publishing editor to secretly rewrite Air Chrysalis, a manuscript by a seventeen-year-old girl named Fukaeri whose actual provenance is concealed. The novel opens in April 1984 as Aomame climbs down an emergency stairway from the Tokyo Metropolitan Expressway and finds herself in a parallel Tokyo (which she comes to call 1Q84) where two moons hang in the sky and where a religious cult called Sakigake operates the Little People who shape the manuscript Tengo is rewriting.

Murakami's structural method is the patient cross-cutting between the Aomame and Tengo chapters across the eight-month arc from April through December 1984 (Book One), the November-and-December period (Book Two), and the broader resolution period (Book Three) with a third POV character (Ushikawa, the cult's private investigator) entering in Book Three. The novel reads in the maximalist magical-realist register Murakami refined across the prior decade (The Wind-Up Bird Chronicle 1994-95, Kafka on the Shore 2002) and that distinguishes 1Q84 from the realist Norwegian Wood register. The Air-Chrysalis manuscript embedded across the entire novel operates as the structural-mythic argument the novel is making about the relationship between consciousness, fiction-writing, and the broader contemporary Japanese late-twentieth-century social context; the cult-and-Tamaki-Otsuka subplot across the entire novel carries the structural moral argument about domestic violence and the broader contemporary Japanese gender-and-power context that Aomame's clandestine work serves.

Recommended for committed Murakami readers, as the structural Murakami magnum opus, and for fans of The Wind-Up Bird Chronicle, Kafka on the Shore, and the broader Murakami magical-realist tradition. Compare to The Master and Margarita (Mikhail Bulgakov), Cloud Atlas (David Mitchell), and contemporary magical-realist literary fiction. The Allison Hiroto / Marc Vietor / Mark Boyett audiobook is the definitive audio production. Five stars without reservation.

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