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The Review

The Invisible Life of Addie LaRue

by V. E. Schwab

448 pages
The Invisible Life of Addie LaRue

A young Frenchwoman in 1714 makes a bargain that grants her three hundred years of life at the cost of being forgotten by everyone she meets. V. E. Schwab's standalone literary fantasy.

What's in this book

  • V. E. Schwab's 2020 literary fantasy - a 1714 bargain grants Addie three hundred years at the cost of being forgotten
  • New York Times literary-fiction list bestseller; Schwab's breakout from the YA-fantasy shelf
  • 448 pages cross-cutting between centuries-long memory-loss chapters and a present-day New York thread
  • Henry Strauss, a Brooklyn bookstore clerk who somehow remembers Addie, anchors the back half
  • Julia Whelan / Michael Crouch dual-narrator audiobook is the definitive audio production
  • For readers of American Gods, The Midnight Library, The Night Circus, and contemporary literary fantasy

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The Invisible Life of Addie LaRue is V. E. Schwab's 2020 standalone literary fantasy, the novel that pushed Schwab from the genre-fantasy shelf onto the New York Times literary-fiction list. Adeline LaRue, a twenty-three-year-old French village girl in 1714, prays to the old gods to escape her marriage and is answered by a being she eventually calls Luc, who grants her freedom from death at the cost of being forgotten by every person she meets the moment she leaves their sight. The novel runs three hundred years of Addie's life across European cities, two world wars, and the New York of 2014, alternating with a present-tense thread in which Addie meets Henry Strauss, a Brooklyn bookstore clerk who somehow remembers her.

Schwab's structural method is the cross-cutting between the centuries-long memory-loss chapters and the present-day Henry plot, with the Luc relationship running through both. The historical-set pieces (Paris during the Revolution, Munich during the war, the 1920s Berlin nightlife scene) are rendered with reasonable patient detail; the contemporary New York chapters in the back half do the structural work. The Henry-Addie central relationship is the literary engine and earns the late-novel emotional payoff that the romantasy-adjacent readership came for, though Schwab makes the disciplined choice not to resolve it cleanly. The Luc material is the structural masterstroke; the bargain is not exactly with the devil and not exactly not, and Schwab is patient enough to let the ambiguity carry the moral weight.

Recommended for the literary-fantasy core audience, for fans of Erin Morgenstern's The Night Circus, Neil Gaiman's American Gods, and Susanna Clarke's Piranesi, and as the right Schwab entry point for readers coming from outside the genre fantasy market. The Julia Whelan / Michael Crouch audiobook is the definitive audio production. Four solid stars.

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