
“A middle-aged man returns to his Sussex childhood home for a funeral and remembers something he had carefully forgotten.”
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The Ocean at the End of the Lane is Neil Gaiman's 2013 novel, the most personal book in his catalog and his most carefully structured adult fiction. An unnamed middle-aged man returns to his rural Sussex childhood home for a family funeral and finds himself walking down the lane to the farmhouse at the end where the Hempstock family lived. Lettie Hempstock was eleven the summer he was seven, and her family pond, she had told him then, was an ocean. The narrator sits at the edge of the pond and remembers what happened to him in 1968 when the boarder his family had taken in for the summer killed himself in the back of a Mini, and what came through the cracks when he died.
Gaiman's project here is the smallest he has ever attempted in a novel and the most psychologically interior. The Hempstocks (Lettie, her mother Ginnie, her grandmother Old Mrs. Hempstock) are the most fully realized supporting cast in his fiction. The 1968 chapters are rendered with the kind of careful attention to the texture of seven-year-old consciousness that few adult novelists attempt. The horror is real, but the structural subject of the novel is what childhood does to memory and what memory does to who we become.
Recommended as the right Gaiman entry point for readers who prefer literary fiction to genre fantasy, as a natural companion to The Graveyard Book and Coraline, and as one of the rare contemporary novels that earns the word "haunting" in book-jacket marketing. Five stars without reservation. Gaiman's own audiobook narration is excellent and the right way to experience the novel.
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